1. Warming up with a sample artifact memoir: "Eleven," by Sandra Cisneros
- What sensory imagery do you find the most engaging?
- What is the narrator's epiphany (light bulb moment)? In other words, what does she come to realize better or differently?
2. Returning to memoir writing and considering your narrative arc
- Trying it out with "Eleven"
- Making sure you've chosen your memoir, labeled it "READ THIS ONE," and placed it inside your Extremely Loud and Incredibly Close Folder.
- Shaping your memoir using the narrative arc; figuring out which scenes still need to be written
- Try to identify your turning point first; the rest of the arc will fall into place.
3. Editing your memoir to give it a narrative arc
- Do you need to develop your exposition (who, what, when, where, why)?
- Do you need to develop your rising action (building conflicts / heightening tension)?
- Do you need a turning point in which you experience a shift in your thinking? Do you need to slow down on your turning point?
- Do you need more falling action and resolution in which you come to understand something better or differently?
HW:
1. For FRIDAY: Complete rough draft of memoir due.
2. For TUESDAY, Oct 30: Final draft of memoir due in www.turnitin.com by 4:00.
1. For FRIDAY: Complete rough draft of memoir due.
2. For TUESDAY, Oct 30: Final draft of memoir due in www.turnitin.com by 4:00.
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